राँची में कला कार्यशाला

 

DELHI INTERNATIONAL FILM AND ART FESTIVAL,2012

DELHI INTERNATIONAL FILM AND ART FESTIVAL,2012

INAUGURATION AT SIRIFORT AUDITORIUM, NEW DELHI, ON - 21 -DEC,2012,TIME: 4.00 PM ONWARDS, FILMS SCREENING ON- 22 TH TO 26TH DEC. 2012, TIME 9.30 AM TO 7.30 PM, VENUE: NDMC CONVENTION CENTRE , CONNAUGHT PLACE, NEW DELHI & CLOSING & AWARD CERIMONY AT SIRIFORT AUDITORIUM, NEW DELHI, TIME: 4.00 PM ON WARDS

अंजलि सिन्हा के चित्रों की प्रदर्शनी

विरासत कलाकार शिविर , 2012, देहरादून

इन दिनों देहरादून के अम्बेडकर  स्टेडियम में वार्षिक क्राफ्ट मेला का आयोजन किया जा रहा है / इसमे देश के करीब 100 स्टाल लगे गए हैं / इस मेले में  जो सबसे खास आकर्षण का विषय है वह है देश-विदेश से आए विभिन्न कलाकारों द्वारा प्रस्तुत शास्त्रीय , सूफी एवं लोक संगीत का कार्यक्रम / इस अवसर पर देश के अलग-अलग प्रदेशों से आए करीब पंद्रह चित्रकारों की कला कार्यशाला का भी  आयोजन किया गया है /

मेले का शुभारम्भ 29 अक्तूबर को हुआ / समापन 10 नवम्बर को होगा / कला शिविर का समापन  4 नवम्बर को होगा / शिविर में बनी कृतियों को 10 नवम्बर तक प्रदर्शित किया जाएगा /

सुनील कुमार 'सूके ' की एकल प्रदर्शनी

सुनील कुमार  'सूके ' की एकल चित्र प्रदर्शनी शुभारम्भ आज दिल्ली के आइ .सी .सी . आर . प्रदर्शनी कक्ष में हुआ / यह प्रदर्शनी 17 अक्टूबर तक चलेगी /

united art fair 600 artists come together

http://www.thewallartmag.com/flipbook/index.htm#/October Issue/1

यूनाइटेड आर्ट फेयर , 2012, नई दिल्ली

मीनाक्षी झा के चित्रों की एकल प्रदर्शनी का शुभारम्भ

        यूँ  तो बिहार के कई कलाकार सक्रिय रूप से कला सृजन कर रहे हैं पर कुछ हीं कलाकार ऐसे हैं जिनकी कलाकृतियों में अपनी मिट्टी की खुशबू महसूस होती है  / ऐसे हीं कलाकारों की श्रेणी में एक नाम है महिला कलाकार मीनाक्षी झा का , जिनके चित्रों में उनकी जन्म स्थली मिथिला का बखूबी दर्शन होता है / उनके चित्रों में मधुबनी चित्र की झलक बखूबी दिखाई देती है /

       इन दिनों दिल्ली की मशहूर कला दीर्घा ललित कला अकादमी में मीनाक्षी झा के चित्रों की एकल प्रदर्शनी  चल रही है / इस प्रदर्शनी का शुभारम्भ इसी महीने की 18 तारीख को हुआ जो 24 अगस्त तक गैलरी सं . 1 में चलेगी / 

The Hundred-Year Childhood

‘Century of the Child: Growing by Design, 1900-2000’ at MoMA

Childhood, it is often said, is a recent invention. Children used to be treated as small adults to be put to work as soon as possible.
http://www.nytimes.com/2012/07/27/arts/design/review-century-of-the-child-at-moma.html?_r=1

आनंदी प्रसाद बादल की एकल चित्रकला प्रदर्शनी

बिहार इन दिनों कला के क्षेत्र में दिन -प्रतिदिन बहुत तेजी से आगे बढ़ रहा है / पिछले कुछ दिनों में यहाँ कई ऐसे कार्यक्रम सरकार द्वारा आयोजित किए गए है जो बिहार को अंतर्राष्ट्रीय पटल पर लाने का पहला कदम माना जा सकता है / 

हाल ही में जाने- माने वरिष्ठ चित्रकार श्री आनंदी प्रसाद बादल की एकल चित्र प्रदर्शनी का आयोजन पटना स्थित कला एवं शिल्प महाविद्द्यालय की कला दीर्घा में हुआ / अशोक कला मंदिर द्वारा आयोजित इस प्रदर्शनी का उद्घाटन दिनांक 12 जुलाई को बिहार के मुख्यमंत्री श्री नितीश कुमार ने किया, जिसका समापन 15 जुलाई को हुआ  / इस अवसर पर श्री बादल की कविता एवं चित्रोँ की किताब का भी लोकार्पण मुख्यमंत्री द्वारा किया गया /  

प्रदर्शनी के उद्घाटन अवसर की खास बात यह भी रही की इस अवसर पर दो लोगो को सम्मानित किया गया / बादल साहित्य साधना सम्मान साहित्यकार डा. शिवनारायण को तथा बादल कला साधना सम्मान युवा मूर्तिकार श्री अमरेश कुमार को दिया गया / इस अवसर पर श्री विनय कुमार ( निदेशक, कला कार्य) एवं वरिष्ठ कला समीक्षक  श्री अवधेश अमन ने भी संबोधित किया / 

सितारों से जा मिला सुपरस्टार

नई दिल्ली [जागरण न्यूज नेटवर्क]। फिल्मों के आखिर में मर जाने वाले नायक के अविस्मरणीय रोल अदा कर अमर हो गए बॉलीवुड के पहले सुपरस्टार राजेश खन्ना यानी अपने काका नहीं रहे। अपनी यादगार फिल्म 'आनंद' के मशहूर डायलॉग, 'बाबू मोशाय, जिंदगी लंबी नहीं बड़ी होनी चाहिए' को उन्होंने भरपूर जिया। शोहरत की बुलंदियों से गर्दिश के गुबार तक जिंदगी के एक-एक पल का आनंद लिया।.........................
http://in.jagran.yahoo.com/news/national/general/super-star-rajesh-khanna-passes-away_5_1_9482466.html 

http://indiatoday.intoday.in/gallery/50-years-of-james-bond-exhibition/1/7381.html#photo6

गोबर से खरीद लिया सौ करोड़ का बंगला

दिल्ली (ब्यूरो)। कैसे गोबर से भी पैसा बनाया जा सकता है वो भी कला के जरिए यह साबित किया है बिहार के छोटे गांव से सफर शुरू करनेवाले सुबोध गुप्ता ने। दिल्ली के इस कलाकार ने फिर धमाका किया है। इस बार यह हलचल राजधानी के रियल एस्टेट मार्केट में हुई है। गुप्ता और उनकी आर्टिस्ट पत्नी भारती खेर ने लुटियंस दिल्ली के सुंदर नगर में 865 वर्ग यार्ड प्लॉट में बने एक बंगले को खरीदा है। इसकी कीमत 100 करोड़ बताई जा रही है। कपिलदेव भी इसी इलाके में रहते हैं।....................
http://hindi.oneindia.in/news/2012/07/17/states-artist-subodh-gupta-buys-delhi-house-for-rs-100-crore-220003.html

प्रमोद के चित्रों की एकल प्रदर्शनी

              पटना कला महाविद्द्यालय का इतिहास बहुत हीं सुनहरा रहा है / यहाँ के पूर्व छात्रों ने देश में हीं नहीं दुनिया भर में अपना जलवा बिखेरा है / प्रमोद कुमार एक ऐसे हीं कलाकार है जो कला महाविद्द्यालय पटना से चित्रकला में डिग्री लेने के बाद साऊथ अफ्रीका में रह कर कला सृजन कर रहे हैं / ये अपने कैनवास पर  आकर्षक रंगों से अमूर्त रूप गढ़ते हैं / 

             प्रमोद के चित्रों की एकल प्रदर्शनी का आयोजन अमेरिका के 5तत्व कला दीर्घा में आज से हो रहा है / स्तानीय समय के अनुसार शाम 4 बजे इस प्रदर्शनी का उद्घाटन होगा /

चीनी कलाकार पर 23 लाख डॉलर का जुर्माना

सरकार के मुखर विरोधी रहे चीनी कलाकार आई वेईवेई ने कहा है कि अधिकारियों ने उन्हें कर चोरी के कथित मामले में 15 दिन के भीतर 23 लाख डॉलर का भुगतान करने का नोटिस दिया है. ...................

 

चीनी कलाकार आई वेईवेई

http://www.bbc.co.uk/hindi/china/2011/11/111101_china_aiweiwei_akd.shtml

सुरेश की एकल चित्र प्रदर्शनी का समापन

दिल्ली के जाने- माने कलाकार सुरेश कुमार की एकल चित्र प्रदर्शनी का समापन आज यहाँ के ICCR कला दीर्घा में हो गई / प्रदर्शनी का शुभारम्भ इसी महीने की 22 तारीख को हुआ था /

चित्रों का अवलोकन करते कला प्रेमी 

The Dark Horse at MoMA

TAHALKA.COM

(MOMA). Started in the 1920s by John D Rockefeller Junior’s wife Abby, MOMA is today a veritable hive of artworks where Monet, Van Gogh, Picasso, Dali, Warhol and Pollock breathe the same air as Damien Hirst, Anish Kapoor, Jeff Koons, Ai Weiwei and Takashi Murakami.

Museum of Modern Art’s newest find, artist Shambhavi Singh is charting a quiet and spectacular journey across the contemporary Indian art scene, finds Sahar Zaman

Canonisation Shambhavi

Beej Brahmaand Ek, the work acquired by MoMA

SHE STANDS in her east Delhi kitchen stirring a pot of mutton korma, a dish that is as much her own creation as it is a north Indian staple. There is also tomato chutney on the menu, something she’s now become famous for among her friends. “It’ll take time,” she warns them. The star of the evening is the meal. Not the host. Shambhavi Singh, the artist, likes to stay in the background. But the fate of her latest work is such that she can’t help but celebrate. After all, it has been acquired by New York’s Museum of Modern Art 

Born in Patna, Shambhavi’s journey may not have been as meteoric as her contemporary Subodh Gupta’s, but it has been rich and rewarding. She came to Delhi in the ’90s to do her Master’s in art and then decided to stay on as the Capital provided a more fertile ground for her ideas. And now with the ultimate seal of approval, she only has good memories of a career spanning almost two decades. “I was surprised when I got the confirmation in February,” she says about her MOMA entry, “It’s a dream come true. But I’m pretty sure that I’m not going to change my style. I will still work in the same space, without bothering much about being in frequent circulation,” says the 46-year-old artist.

Unlike many of her fellow artists, Shambhavi prefers a near-anachronistic commitment to those who recognised her worth in her days of struggle. She has only been associated with two galleries so far, a rare feat in contemporary art. At present, however, there is only one gallery that represents her both in Delhi and New York. And though she has mostly done solo shows, Shambhavi has not really bothered about being in a group show with other artists. And while her contemporaries, artist power couple Subodh Gupta and Bharti Kher have made headlines as being India’s highest-selling artists, who sometimes command prices that are way out of the reach of Indian buyers, Shambhavi has always been shy of the price-fuelled numbers race. Her artworks are believed to fetch anything between Rs 20 lakh and Rs 60 lakh. She has instead concentrated on cementing a place into what can truly be referred to as contemporary art’s Hall of Fame. Other Indian artists who have been bought by MOMA for its permanent collection are modern masters like Krishen Khanna and Satish Gujral. In fact, Shambhavi is the only contemporary artist from India to be given that honour. “She will go a long way since she has chosen the right path. I love the energy in her works which is very unlike her quiet personality,” observes Subodh Gupta. While art critic Rajeev Sethi concurs, “There is no obsessive desire to be different for the sake of it. She’s not stuck with a set image that she has to pump herself up to. Most artists have got fixated with their images but she is wide eyed, wondering and extremely open to the world of new craft skill, new material and new contexts.”

The work acquired by MOMA is called ‘Beej Brahmaand Ek’ (Cosmic Seeds Light). It’s an installation of a set of 10 circular prints made by the process of etching. It is an arduous process that uses copper plates pressed onto handmade paper. While the medium of the work maybe organic, its scale makes all the difference. Hung up on a wall, its various parts take up a space of 30 feet x 40 feet. The work was made during an artist’s residency-workshop at the prestigious Singapore Tyler Print Institute (STPI) last year. “The line drawing inside each paper disc has objects used in the villages for taking out water and separating husk from grain. But in the larger picture, these discs become seeds. Seeds in the universe as quantum of energy that never dies, it only changes form,” explains the artist.

AS A practitioner, Shambhavi finds herself drawn to nature. What she does find more fascinating, though, is not just nature, but man’s labours upon it, how he struggles to find meaning in his livelihood. Therefore, the colours and forms associated with cultivation — the tilling of land, irrigation, harvest — appeal to her. Recently, earthy shades have begun to dominate her palette. She says it reminds her of her growing up years in Patna when she went to her maternal village, Tunning Ganj, during holidays. “After sunset, the darkness without any electricity had its own beauty. I could see the real colours of dawn and dusk without any artificial light around. So a lot of my early canvases had huge splashes of black because I was trying to show the beauty in that darkness. [Also] I come from a rural background, so my village and the fields have been my visual inspirations. Something as simple as the play of light inside the dark water well has fascinated me as a young girl.”

This transition has often surprised her only gallerist, Deepak Talwar of Talwar Gallery, who represents her in Delhi and New York. “She has been our artist since 2006. I have noticed the expansion of her oeuvre in an unexpected new direction. From experimenting with sculptural objects to new media, she has done it all,” he says. The form is important to Shambhavi’s works, as is the emphasis she gives on colours. Art writer Meera Menezes argues, “Shambhavi Singh’s works are subtle, delicate and imbued with a great sensitivity. By choosing a non-narrative mode of expression, she relies instead on the play of colour to convey both emotions and sensations.”

Reaper’s Melody is one such work that takes an unexpected turn. It’s an installation of about 5,000 sickles in iron and copper placed on the ground. In this work, Shambhavi tries to make a statement about farmers in her home state Bihar who’ve surrendered their tools. “They [the farmers] cannot articulate their problems to us but the lack of education and electricity is still a major problem in their lives,” she says.

Shambhavi has been shy of the price-fuelled numbers race. Her works fetch anything between Rs 20 lakh and Rs 60 lakh

Despite the issues she aims to address through her work, the works themselves do not betray a sense of hopelessness. In fact, her palette has achieved the exact opposite. Her husband and writer Sanjog Sharan perhaps gets it right when he describes her work as a celebration. “The shift in Shambhavi’s palette means that she has allowed celebration to enter her ruminations on farmers through rich, vibrant hues,” he writes in her STPI catalogue, “The farmer has opportunities in life for celebration. He nourishes us all. Similarly, Shambhavi has come out of her solitude as well, finding illumination through her contemplations on the essence of light that she has discovered in her recent works.” Her latest feat is a further celebration of that self- discovery.

Zaman is an independent arts journalist, curator and news caster.