New
Delhi, Sep 24: The Third Meeting of SAARC Ministers of Culture which began here
today got a slice of India’s rich culture on the eve of the two-day
international meet when leaders and delegates were treated to a Bharatanatyam
recital from the south of the country.
Five young artistes from Chennai’s Kalakshetra showcased the vivacity and
variety of the classical dance before an audience that comprised ministers, top
bureaucrats and their families from the eight member-nations of the
1985-founded South Asian Association for Regional Cooperation, or SAARC.
The 50-minute show, which was organised by Sangeet Natak Akademi on
Tuesday evening, was strung together by frontline dancer Priyadarshini
Govind who is currently the director of the 1936-established institution.
Artistes from Chennai-based Kalakshetra Repertory Company perform Bharatanatyam in New Delhi on Sep 23 Tuesday on the eve of the Third SAARC Culture Ministers Conference in the national capital. |
As the dancers — three of them males — presented four celebrated items to
recorded music at The Ashok hotel in the capital, the SAARC delegates from Sri
Lanka, Nepal, Bangladesh, Pakistan, Afghanistan, Bhutan and the Maldives
besides host India watched in relaxed attention. The end of the performance saw
them applaud the artistes with long rounds of claps, much to the pleasure of
Priyadarshini and the Kalakshetra Repertory Company artistes Hari Padman, Sibi
Sudarsan, K P Rakesh, Indu Mohan and K Sharada Acharya.
Culture Secretary Ravindra Singh said before the start of the show that India
was seeking to strengthen cultural ties with the rest of the SAARC nations. “We
share centuries of history,” he noted, adding that the deep bond manifests in matters
ranging from food, art and literature.
The dance recital, according to Priyadarshini, eminently mirrored the insight
and spirit of Bharatanatyam gurus, including legendary theosophist Rukmini Devi
Arundale who founded Kalakshetra in 1936.
Mr Singh presented Priyadarshini and the stage artistes with shawls.
The dance programme began with the invocatory Allarippu in raga Nattai,
followed by a Jatiswaram in Kalyani and set to the three-beat roopaka taal.
Then came the main piece, a Keertana on Nataraja (set to Kedaragoula raga and
choreographed by the couple V P Dhananjayan and Shanta). The recital concluded
with a Tillana composed by 20th-century musician Papanasam Sivan in raga
Hindolam.
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